The Dark Fiction of Nate Kenyon.


It’s been a while since I posted here. Life has been busy lately, but that’s no excuse, I know. However, something happened recently that dragged me back to the keyboard. Something so important, so terrible and outrageous and finally astonishing, that it demanded my attention.

CBS announced that they were canceling Jericho.

I know what you’re thinking. A tv show? A show that aired for one measly season, to mediocre ratings, no less, before it was shown the door? You brought me here for this?

Bear with me for a moment. I don’t have time for much television in my life these days, so when I invest myself in an ongoing series, it had damn well better be good. It had better be riveting, can’t-miss-a-single minute, white-knuckled big-as-life must-see tv.

I’m here to say that yes, Jericho was that good.

Sure, it might have started a little shaky. Things were quiet as the first episode opened, some might even say boring. Jake Green returned to his hometown from a long, tense time away and we felt just as awkward and out of place as he did that first hour or so. As viewers, we stumbled along with the characters as they learned about each other on the fly. Early on I caught a glimpse of a couple of different directions the show might go, and I wasn’t quite sure the writers were going to choose the right one.

In other words, it wasn’t exactly love at first sight.

But it didn’t take long before everything changed. They dropped the bombs, you see, and I lived right through it alongside the people from this little fictional mid-western town. I felt the shock, the fear, the adrenaline rush, the sorrow. And then I rallied through the pain as a town sputtered back to life, and families pulled themselves together and decided to stand up and fight. Keep everyone safe from the fallout. Restore power to the town. Find enough food. Keep the peace. Bring back a sense of normalcy to a world gone insane.

I said everything changed, and I meant it. Suddenly I wasn’t a casual viewer having a beer and brushing potato chip crumbs off my lap, one eye on the television and the other on my “to do” list. I was right there with them. Maybe it had something to do with the daily fear we live with in this modern world, when terrorists can fly airplanes into buildings and kill thousands, when we no longer feel safe and secure in the good old U.S.A. Or maybe it was just plain good writing and great tv. But something about this show really hit home. By the end of the second hour, I didn’t want to leave that place and those people: Jake, Eric, their parents, Heather, Dale and Skylar, Stanley and Mimi and Robert Hawkins and family and all the rest. They had come alive for me, and I bought the whole thing, hook, line and sinker.

And that’s what I’m really here to talk about tonight. Indulge me, if you will: I want to talk about good fiction.

For me, it begins and ends with the people. Sure, whether it’s a movie, television show or a novel, without a good story, you don’t have much. But even the best, most action-packed, emotional, tense situation imaginable is nothing without characters for the audience to identify with, to love and to hate equally. We need heroes, we need villains, and we need those who are intensely conflicted and straddle the line between both good and evil.

The bottom line is, if you don’t care who lives or dies, the best story in the world isn’t going to matter.

It’s hard to create memorable characters. The best of them have their own detailed back stories, their own motivations, dreams and nightmares. There’s nothing simple or one-dimensional about them, and who they are can be learned as much by what they say (or what they don’t say), as their actions. That takes a lot of work, and I admire the hell out anyone who succeeds in doing it. I hope I manage to do this in my own fiction, at least the best of it; God knows I try.

Jericho had them in spades, and the bombs dropping gave them a stage to let their emotions show. We got to see what made them tick, and a lot of it wasn’t pretty. But it made for riveting television.

By the end of season one, Jericho had become the one show I could not miss. The season finale was absolutely one of the best hours of television I’d seen in a long, long time. The season ended on a cliffhanger, one town pitted against another, neighbor against neighbor, and the death of a major character provided a heart-rending climax that left me with tears in my eyes.

That, my friends, has never happened before in my life. Sure, a movie or two might get me, but a tv show? Never.

So imagine my surprise when CBS announced they were canceling this show. I was shocked, and then angry. How could they leave us like this? With so many unanswered questions? They said ratings were weak. Not enough people watching. I couldn’t believe it. I starting searching for more information, and quickly ended up on the CBS Jericho message boards. Thousands of people were swarming the boards like angry bees. Rallying cries were already cropping up in post after post–how dare they do this to us! How will we know what’s happened to the people? We can’t let them take Jericho from us!

I watched and I read along as an entire community–all online, thousands of people who had never met face to face and yet shared a common interest–began to fight back. I read posting after posting where fans referred to characters on the show as if they were real people, as they vowed to fight for what they believed in and save this little town from destruction. Ratings were down? Well, CBS had damn near killed the show, people said, with a several-weeks long hiatus in the middle of the season. Nielson ratings? Well, they didn’t measure all the fans who were watching Jericho in CBS’s Innertube service and Apple’s iTunes. Surely there were many more fans out there than CBS realized. The answer? Give these fans a voice.

And boy, did they ever.

They began to organize, to make detailed plans about ways to make their voices heard. And then they launched their attack.

Perhaps you’ve heard of the fight to save Jericho by now. The “Nuts for Jericho” effort? It’s been covered in nearly every major news outlet in the country. Over 50,000 pounds of nuts delivered the the CBS offices, and they’re still coming. The “nuts” reference comes from a story the grandfather of one of the main characters told about his experiences in World War Two, where a U.S. general used the phrase to reply to a request for surrender from the Germans. Jake Green used the same phrase in the Jericho season finale, and a buzzword was born that launched an entire campaign.

“Nuts to CBS. Save our show.”

That wasn’t all, of course. For weeks on end, CBS’s main offices were overwhelmed with thousands upon thousands of emails and phone calls. Someone got hold of the cell phone number for one of the main executives, and posted it online. The voicemail box was overrun. Letters poured in. A full page ad was taken out in Variety Magazine, paid for by donations from the fans. Compilations were posted on YouTube. Websites cropped up all over the place: Jericholives.com, savejericho.com, and many more.

And the nuts kept on coming.

Not since Star Trek had anyone seen fan support like this. Through it all, the fans remained civil. They did not threaten or scream, they simply asked that their voices be heard. Bloggers, then larger media outlets began to pick up the story, and it gained critical mass. And the actors who portrayed the characters in Jericho started posting messages to the boards filled with gratitude for the fans’ efforts, all of them repeatedly stating that this set was the most amazing experience they had had as actors. They had bonded while working together, and that bond had clearly shown itself on screen. These messages received hundreds of responses from fans refusing to let their show die.

In a way, the entire effort was a strange echoing of what had been happening on screen. Jericho was fighting for its very life, with a small but dedicated group of citizens who refused to surrender. And so it became in the real world, a group of very different people banding together around a single cause.

Incredibly, CBS began to listen. Nina Tassler, President of CBS Entertainment, released a statement saying they were overwhelmed by fans’ responses, and were calling an emergency meeting to try to find a way to provide an ending to the “compelling” story that was Jericho. Rumors of a tv movie or a final online episode to wrap up loose ends began to circulate.

But that wasn’t enough for the fans. They demanded a new season, and declared that they wouldn’t stop until they got it. The nuts, calls and emails continued to flood the CBS offices. The story was picked up by the Wall Street Journal and New York Times.

Days went by without any word. Then, finally, this:

June 6, 2007
To the Fans of Jericho:

Wow!

Over the past few weeks you have put forth an impressive and probably unprecedented display of passion in support of a prime time television series. You got our attention; your emails and collective voice have been heard.

As a result, CBS has ordered seven episodes of “Jericho” for mid-season next year. In success, there is the potential for more. But, for there to be more “Jericho,” we will need more viewers.

A loyal and passionate community has clearly formed around the show. But that community needs to grow. It needs to grow on the CBS Television Network, as well as on the many digital platforms where we make the show available.

We will count on you to rally around the show, to recruit new viewers with the same grass-roots energy, intensity and volume you have displayed in recent weeks.

At this time, I cannot tell you the specific date or time period that “Jericho” will return to our schedule. However, in the interim, we are working on several initiatives to help introduce the show to new audiences. This includes re-broadcasting “Jericho” on CBS this summer, streaming episodes and clips from these episodes across the CBS Audience Network (online), releasing the first season DVD on September 25 and continuing the story of Jericho in the digital world until the new episodes return. We will let you know specifics when we have them so you can pass them on.

On behalf of everyone at CBS, thank you for expressing your support of “Jericho” in such an extraordinary manner. Your protest was creative, sustained and very thoughtful and respectful in tone. You made a difference.

Sincerely,
Nina Tassler
President, CBS Entertainment

P.S. Please stop sending us nuts

Wow, indeed. In the history of television, the number of shows that have been revived after cancellation can be counted on one hand. Fan outrage is not uncommon, and sometimes they go to great lengths to try to save a show. But it almost never works.

Except this time, it did.

So what does all this mean, really? Why take so much time to write about a television show? What’s that got to do with the important things in this world?

The very best fiction is about more than just a story. It has something to say about the world we live in, and even though it might involve monsters, or space ships, or wizards, something essential to the story hits us where we live. The people come to life, we begin to identify with them, and along the way we learn something about ourselves.

Jericho is about survival. It’s about losing all the cell phones and websites and bringing us back to our roots, our neighbors, our families. It’s about celebrating life in the face of the many horrors we see today, from famine to war to the deaths of our loved ones to terrorist plots and nuclear bombs. And it all plays out on the smallest of stages, that all-American mid-western town that doesn’t really exist, and yet echoes thousands of similar small towns across the country.

The very best fiction allows us to face our fears in a comfortable setting, to examine what makes life important and stare down those dark corners and real-life monsters until they don’t frighten us anymore. It gives us heroes and villains, and most importantly it gives us people who try their best to do the right thing, even when they fail. Jericho was particularly good at this, and that was a big reason why it worked.

It remains to be seen how the future will play out; will a summer of reruns, DVD sales and more word of mouth bring enough viewers to the show to keep it alive beyond next season? I’m betting it will. I know I’ll do my part by watching every week and telling everyone I can about the “compelling” story that is Jericho. I’m sure the rest of the rabid fanbase will do the same. They’re fighting for more than just a tv show, you see: they’re fighting for the people they fell in love with along the way, and the town they just won’t let die.

And “nuts” to anyone who tries to stop them.

From International Thriller Writers:

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Hope to see you there! Also, check out the video below on the Thriller event of 2007. What a lineup!! Click here to learn more about Thrillerfest 2007

I’m finally able to announce news that’s been brewing for a while: Leisure Books will publish the mass market paperback edition of Bloodstone, due to hit shelves sometime in early 2008, and will follow that with the mass market edition of my next novel, The Reach, around the end of 2008.

Needless to say, I’m thrilled and can’t wait to get going. Leisure is home to such fabulous authors as Doug Clegg, Brian Keene, Tim Lebbon, Richard Laymon, Gary Braunbeck, Ray Garton, Sarah Pinborough, Mike Laimo, Simon Clark, Jack Ketchum, Ed Lee, Deb LeBlanc, Graham Masterton, Tim Waggoner and many more (these are off the top of my head; I’ll just stop there because the list goes on and on). There are some great people involved on the writing and editorial side of the house. Editor Don D’Auria is fantastic and an incredibly nice guy, and I’m really excited to work with him.

It’s going to be a fun year! Thanks to all my friends and readers for their support. I wouldn’t be here without you all.

To whet your appetite a bit, here’s a teaser synopsis for my next novel, a supernatural thriller:

THE REACH

Over 98% of the human genome is considered ‘junk DNA,’ sequences for which no function has yet been identified. Some scientists believe these sequences were once functional copies of genes that have since lost their protein-coding ability.

But what if those genes were simply dormant, and could become active with the proper trigger? And what if one of them, once awakened, made the carrier capable of things previously considered the stuff of legend—literally, the power of mind over matter?

The vision has haunted graduate student Jess Chambers for years—her autistic brother lying bloodied in the road, one hand still reaching out for her help. She was supposed to have been watching after him. Now nothing she can do will bring him back.

When Jess is assigned to work with a young schizophrenic housed in a children’s psychiatric ward, it seems as if her chance at redemption might finally be at hand. But Sarah is no ordinary little girl, and this is no ordinary facility. A shadowy biotechnology company called Helix has been studying Sarah’s remarkable genetic gift for years, enhancing and manipulating its effect, twisting something miraculous into something evil. But their plans have gone terribly wrong, erupting in an inferno of fire and blood, and Sarah has withdrawn deep inside her mind to a place no one else can reach.

Now Helix is growing desperate, and Jess Chambers finds herself in the middle of a battle over one of the most explosive genetic discoveries in the history of mankind. Every move Jess makes draws her deeper into a complex web of deceit, making her question her own strength and resolve, until finally she must make a choice; walk away from yet another young child she has come to see as her responsibility, or fight overwhelming odds to stop those who see the girl as nothing more than a tool that must be kept and controlled no matter what the consequence.

But Sarah has a mind of her own. Nobody can predict what she will do when pushed to the breaking point. None of them truly understand the terrifying power of The Reach.

Want more? :) Stay tuned for a sample chapter…

“[Kenyon's] writing style is so clean, his confidence in his story so strong, and his overall narrative arc so compelling…Your time will most definitely not be wasted with [his] excellent debut.”
–GARY BRAUNBECK, Bram Stoker Award-winning author of Prodigal Blues, Keepers and In Silent Graves

Bloodstone has been voted the #1 horror novel of 2006, according to the recent Preditors and Editors Reader’s Poll. Thanks to all who voted and to those who have supported the novel from day one! Stay tuned to this space for some more big, exciting news, coming very soon…

The final ballot for the Horrow Writers Association’s prestigious Bram Stoker Awards has just been announced, and Bloodstone has made the ballot in the first novel category. The winners will be announced at the annual Stokers Awards Gala, to be held in Toronto, Canada in March 2007.

Previous Stoker Award winners include Stephen King, Peter Straub, Anne Rice, Thomas Harris and many other giants of the genre.

I’m thrilled and humbled to be on this list with so many major works and big names in the field. I want to thank everyone who has supported the novel from day one.

Here’s the complete ballot:

Superior Achievement in a NOVEL

Headstone City by Tom Piccirilli (Bantam)
Liseys Story by Stephen King (Scribner)
Ghost Road Blues by Jonathan Maberry (Pinnacle)
Pressure by Jeff Strand (Earthling)
Prodigal Blues by Gary A. Braunbeck (Cemetery Dance)

Superior Achievement in a FIRST NOVEL

Ghost Road Blues by Jonathan Maberry (Pinnacle)
The Keeper by Sarah Langan (William Morrow)
Bloodstone by Nate Kenyon (Five Star)
The Harrowing by Alexandra Sokoloff (St. Martins)

Superior Achievement in LONG FICTION

Dark Harvest by Norman Partridge (Cemetery Dance)
Hallucigenia by Laird Barron (The Magazine of Fantasy and Science Fiction)
Mamas Boy by Fran Friel (Insidious Reflections)
Bloodstained Oz by Christopher Golden and James A. Moore (Earthling Publications)
Clubland Heroes by Kim Newman (Retro Pub Tales)

Superior Achievement in SHORT FICTION

Tested by Lisa Morton (Cemetery Dance)
Balance by Gene ONeill (Cemetery Dance)
Feeding the Dead Inside by Yvonne Navarro(Mondo Zombie)
FYI by Mort Castle (Masques V)
“31/10” by Stephen Volk Dark Corners)

Superior Achievement in an ANTHOLOGY

Aegri Somnia: The Apex Featured Writer Anthology
edited by Jason Sizemore (Apex)
Mondo Zombie edited by John Skipp (Cemetery Dance)
Retro Pulp Tales edited by Joe Lansdale (Subterranean)
Alone on the Darkside edited by John Pelan (Roc)

Superior Achievement in a COLLECTION

Destinations Unknown by Gary Braunbeck (Cemetery Dance)
American Morons by Glen Hirshberg (Earthling Publications)
The Commandments by Angeline Hawkes (Nocturne Press)
The Empire of Ice Cream by Jeffrey Ford (Golden Gryphon)
Basic Black: Tales of Appropriate Fear by Terry Dowling (Cemetery Dance)

Superior Achievement in NONFICTION

Cinema Macabre edited by Mark Morris (PS Publishing)
Final Exits: The Illustrated Encyclopedia of How We Die by Michael Largo (Harper)
Gospel of the Living Dead: George Romero’s vision of Hell on Earth by Kim Paffenroth (Baylor Press)
Stephen King: Uncollected, Unpublished by Rocky Wood (Cemetery Dance)

Superior Achievement in POETRY

Shades Fantastic by Bruce Boston (Gromagon Press)
Valentine: Short Love Poems by Corrine de Winter (Black Arrow Press)
The Troublesome Amputee by John Edward Lawson (Raw Dog Screaming Press)
Songs of a Sorceress by Bobbi Sinha-Morey (Write Words, Inc.)

A couple of enterprising Five Star authors have started up a MySpace Five Star page. Drop by and take a look: Five Star’s been publishing some great books lately!

http://www.myspace.com/FiveStarAuthors

The Horror Writers Association (HWA) has announced the preliminary ballot for the 2006 Bram Stoker Awards. It’s quite an impressive list, and Bloodstone appears in the First Novel category. The HWA membership will vote on these titles, and the top vote-getters will make up the final ballot. The winners are announced at the Stoker Awards Banquet in March.

Here’s the complete list:

SUPERIOR ACHIEVEMENT IN A NOVEL
Prodigal Blues by Gary A. Braunbeck (Cemetery Dance)
World of Hurt by Brian Hodge (Earthling)
Cell by Stephen King (Scribner/Simon & Schuster)
Lisey’s Story by Stephen King (Scribner)
The Keeper by Sarah Langan (William Morrow)
A House Divided by Deborah LeBlanc (Leisure)
Ghost Road Blues by Jonathan Maberry (Pinnacle)
Headstone City by Tom Piccirilli (Bantam)
The Pressure of Darkness by Harry Shannon (Five Star/Thomson Gale)
Pressure by Jeff Strand (Earthling)

SUPERIOR ACHIEVEMENT IN A FIRST NOVEL
Never Ceese by Sue Dent (Journey Stone Creations)
Forever Will You Suffer by Gary Frank (Medallion)
Bloodstone by Nate Kenyon (Five Star)
The Keeper by Sarah Langan (William Morrow)
Ghost Road Blues by Jonathan Maberry (Pinnacle)
Dead City by Joe McKinney (Pinnacle Books)
The Harrowing by Alexandra Sokoloff (St. Martin’s)

SUPERIOR ACHIEVEMENT IN LONG FICTION
“Hallucigenia” by Laird Barron (The Magazine of Fantasy and Science Fiction)
“Graffiti” by Jason Brannon (Winds of Change)
“Winds of Change” by Jason Brannon (Winds of Change)
“The Ballad of Road Mama and Daddy Bliss” by Gary Braunbeck (Destinations Unknown)
Failure by John Everson (Delirium)
Mama’s Boy by Fran Friel (Insidious Reflections)
Then Comes the Child by Christopher Fulbright and Angeline Hawkes (Carnifex Press)
Bloodstained Oz by Christopher Golden and James A. Moore (Earthling Publications)
“The Muldoon” by Glen Hirshberg (American Morons)
“Raphael” by Stephen Graham Jones (Cemetery Dance)
Take The Long Way Home by Brian Keene (Necessary Evil Press)
“Dark Harvest” by Norman Partridge (Cemetery Dance)
“The Colour Out of Darkness” by John Pelan (Cemetery Dance)

SUPERIOR ACHIEVEMENT IN SHORT FICTION
Beneath Black Boughs My Darlings Slumber by Cullen Bunn (Naked Snake Press)
“Lucania” by Sandy DeLuca, and Michael McCarty (Hungur)
“FYI” by Mort Castle (Masques V)
“I’ll Call You” by Mort Castle (Masques V: Further Stories)
“Wet Work” by Curtis Hoffmeister (Desdmona)
“The Alchemy from the Towers of Silence” by Gerard Houarner(Damned Nation)
“Toad Lily” by Nicholas Kaufmann (Cemetery Dance)
“The Bloodied Woman” by Nick Mamatas (Mississippi Review Online)
“Tested” by Lisa Morton (Cemetery Dance)
“Feeding the Dead Inside” by Yvonne Navarro (Mondo Zombie)
“The Secret Lives of Heroes” by Weston Ochse (Horror Garage)
“Balance” by Gene O’Neill (Cemetery Dance)
“Sky of Thunder, Island of Blood” by Stephen Mark Rainey (Amazon Shorts)
“Jiki” by Michael West (City Slab)

SUPERIOR ACHIEVEMENT IN AN ANTHOLOGY
Aegri Somnia: The Apex Featured Writer Anthology edited by Jason Sizemore (Apex)
Alone on the Darkside edited by John Pelan (Roc)
Mondo Zombie edited by John Skipp (Cemetery Dance)
Retro Pulp Tales edited by Joe Lansdale (Subterranean)

SUPERIOR ACHIEVEMENT IN A COLLECTION
Winds of Change by Jason Brannon (Nocturne Press)
Destinations Unknown by Gary Braunbeck (Cemetery Dance)
Hook House & Other Horrors by Sherry Decker (Silver Lake)
The Empire of Ice Cream by Jeffrey Ford (Golden Gryphon)
Apple of My Eye by Amy Grech (Two Backed Books)
The Commandments by Angeline Hawkes (Nocturne Press)
American Morons by Glen Hirshberg (Earthling Publications)
Geek Poems by Charlee Jacob (Necro)

The Dark Underbelly of Hymns by Martin Mundt (Delirium)
The Man from the Diogenes Club by Kim Newman (Monkey Brain Books)
The Ocean And All Its Devices by William Browning Spencer (Subterranean Press)

SUPERIOR ACHIEVEMENT IN NONFICTION
Final Exits: The Illustrated Encyclopedia of How We Die by Michael Largo (Harper)
Gospel of the Living Dead: George Romero’s vis ion of Hell on Earth by Kim Paffenroth (Baylor Press)
Stephen King: Uncollected, Unpublished by Rocky Wood (Cemetery Dance)

SUPERIOR ACHIEVEMENT IN POETRY
Shades Fantastic by Bruce Boston (Gromagon Press)
Valentine: Short Love Poems by Corrine de Winter (Black Arrow Press)
The Troublesome Amputee by John Edward Lawson (Raw Dog Screaming Press)
Grim Trixter: Poems of Fantasy, Erotica and Horror by Brandy Schwann (Apex Publications)
Songs of a Sorceress by Bobbi Sinha-Morey (Write Words, Inc.)
Screaming in Code by Thomas Wiloch (Naked Snake Press)

Congratulations to all!

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The immensely talented and prolific author Gary Braunbeck (In Silent Graves, Keepers, Prodigal Blues) has named Bloodstone one of his favorite reads of the year. Read what he has to say, and the rest of the entire list here.

Many thanks to Gary, who is both a shining star within the genre and a wonderful human being.